Bear McCreary’s sweeping orchestral score was meticulously researched to accurately represent the time period, without being bound to it. His score combines full orchestra, Renaissance instrumentation, choir and ethnic soloists with the renowned Calder Quartet and surging contemporary synthesis.
“For Da Vinci's Demons, I looked to the real-life Leonardo for inspiration. He famously wrote backwards and forwards, so I decided to do (try) the same thing with his theme!” said McCreary. “It was a nice idea at the time, but proved rather difficult to produce anything with emotional meaning. It took a while, but ultimately, I think the end result works beautifully. It's emotional, and fits Leonardo's character beautifully. Yet at the same time, it feels like a palindrome.”